Tag Archives: Author

Top 5 Author Marketing Mistakes

So you’ve written your book, polished it to perfection, and now it’s time to pimp it out… but you’ve got no idea how to do it. Marketing, it’s one of those things that sends an icy sliver of fear right into the heart of the most accomplished author. It’s like black magic, alchemy, the occult. A dark art practised by people with fake tans, wearing shiny suits.

Like writing, there is no actual secret to marketing. There are no rules, only what works, and what doesn’t. And here’s the rub: what works for one person, doesn’t necessarily mean it will work for you. But to help you along in your marketing journey, here are five things that a pretty much useless to the majority of indie authors:

#5 Spamming your friends

This should be a no-brainer. But then marketing and common-sense seem to be incompatible. Chances are that on your contact list you have a mix of real-life friends, “friends”, and people who are contacts because they are vaguely associated with you. They already know that you have a book out. They may already have bought it. So what they need is for you to post a dozen times a day about your book. Hell, why stop there? They put a picture of their little bundle of joy, so why not put in the comments that your book would make a brilliant Christening present… Can you see where I’m going with this. Save your spam for your official author channels, keep your friends as friends.

#4 Preaching to the choir

Some of you will say: “But authors are readers too!”. And although that is true it doesn’t make for a good marketing strategy. Like #5 above, spamming other authors/author groups will elicit the same response – a roll of the eyes every time your name pops up. Yes, authors are readers too, but of what genre? I’m and author, and I’m a reader. But I’m fussy. And so are most people. Authors also have limited time to dedicate to reading, so if their genre is, for example, historical fiction, what are the chances that they’ll give your transgender paranormal romance a whirl? While the scatter-shot technique may provide some results, it makes more sense to channel your efforts into a targeted campaign.

#3 Using Social Media as a one way pipe

This is my pet hate. Social. Media. The clue is in the name. It’s not called Amass a Billion Followers Who You Never Interact With Media. That’s what happens though. Accounts with tens of thousands of followers and followees all blast their messages into the interwebs – and neither side sees the other because they’re too busy saying “FOLLOW ME” and “BUY MY BOOK” to interact. Or worse still… they’re not even there. Their accounts all linked to one automated crud cruncher that churns out message after message at set times during the day. What a great way to foster a relationship with readers and potential readers. [that was irony by the way]

#2 Being Free with Freebies

People love something for nothing. But nothing devalues your work as quickly as nothing. See what I did there? And now the explanation: You are not a “best-seller” if you top the free listing chart. The majority of copies you gave away will never be read (sorry, but pretty much every Kindle, Nook and Kobo are jammed to the digital gills with free books that were downloaded for one reason, and one reason only: they were free). I’m not against giving your work away for free. But only if it is done as a way to entice sales. Make your readers (and potential readers) value your work, even when it’s free. Make it quid pro quo. They get a free book by following/tweeting/sharing/liking. OR, if you want to be even more fiendish with the freebies (and increase the perceived value) make it into a draw. Their interaction enters them into the draw for a copy. FREE free copies have had their day as a marketing tool, and will simply gather digital dust. Respect your work, and retain the value of it to your readers.

#1 Copying the Big Boys/Girls

Okay, this is quite a big topic so I’ll condense it as best I can. When I talk about the Big Boys/Girls, I mean the traditional publishing marketing methods. Unless you can match their budgets and manpower, forget it. They may be dinosaurs, but they still have a lot of clout, like the T-Rex in Jurassic Park. Definitely don’t get bogged down by meaningless numbers. The only numbers you should be concentrating on is your ACTUAL readership. Not how many followers you have on twitter, not how many likes you have on facebook, not how many klowns you have on klout, or even how many hits your website gets. If they’re not translating into sales then you’re wasting your efforts. Your marketing needs to be cost effective so think very carefully before you put any cash down on advertising. Every clam you shell out on marketing needs to do one of two things: increase your reputation, or increase your sales (hopefully both). Unfortunately, the majority of “marketing solutions” will do neither, and the majority of “marketing solutions” won’t guarantee to do either. So buyer beware. It makes better sense, as an indie author, to invest your money in you and your readership.

What do you consider to be the worst marketing mistakes?
Have you got any marketing nuggets you’d like to share?

Lament for the Living is out now: paperback and ebook

Lament for the Living Final Cover

It is with great pleasure that I release today two exciting pieces of news.  The first is that a benefactor, who wishes to remain anonymous, has been solely responsible for securing a block of ISBNs for the upcoming ‘Lament for the Living’ and future titles.  I cannot thank that person enough and will ensure that a similar kindness is contributed in the same vein.

The ISBN for ‘Lament for the Living’ is 978-0-9575452-0-5.

To coincide with this amazing turn of events I wanted to create new cover art that was more eye-catching and announce them both at the same time.  So here it is:

Lament for the Living by David Nicol
Lament for the Living ISBN 978-0-9575452-0-5

Lament for the Living will be released in May 2013.  I’m still looking for review readers who will receive advance copies in February.  If you would like to participate, please get in touch.

Visit me on Facebook: David Nicol – Author
Follow me on twitter: @davidxnicol
What about on Amazon: David Nicol Author Page
And ofcourse, GoodReads.com: David Nicol on GoodReads

Indie Authors – Beware the Rip-Offs

Most indie authors are aware of the pitfalls of self publishing, especially those that offer “packages” to authors in return for exorbitant fees with little return.  There are many companies that are to be avoided, and shall remain nameless for two reasons: 1 – I live in the UK and mentioning names could be considered libellous, and 2 – it reduces their overall exposure if you just don’t mention them.

There are also more insidious and I’d say deceitful practices out there that indie authors and self publishers should be aware of.

Firstly you should realise that if you are an indie author, or self publisher then you are a business, and as such your decision making should be business led.  If you need help with a certain aspect of your work; cover design, proofreading/editing, marketing then you should be contracting that work out to a professional.  What you shouldn’t be doing is operating on vanity.  Many of the shysters out there operate on your vanity, your ego.  Business and ego are bad bed fellows.

I wrote this post after clicking on a link in my twitter feed about “being discovered in 2013”.  I clicked the link because I’d like to be discovered in 2013.  Maybe this was my way in…. I found myself on a professional looking website that extolled the virtues of their work in being a bastion for the indie reader.  Enter now, the blurb said to get your work in to the pool to be a “discovery of 2013”.  Each entry would be read by one of their panel of judges and by the look of it be given a 4 or 5 star review…. (hmmmm).  Okay, thought I.  Let’s see what they’re after.

It was all very straightforward, enter the title of your book, genre (but if you wanted to add extra genres it was an extra $50 (double hmmmm)).  Then just scroll down a bit and it asks about payment details.  Just so we’re clear, I hadn’t filled any of the form in, I was still in the looking phase.  When I saw ‘payment details’ I was intrigued.  Payment?  To enter a competition to be discovered?  Then I saw it.  Each entry was $150.  Sooo the site wanted to be paid $150 for each discovery it made… triple hmmmm.

Strip away the “awards” on this one and you’re paying at least $150 for someone to review your book.  No siree Bob!  To me, the moment you pay for an award you devalue your product and your integrity.  How can anyone take your work seriously if you’ve paid for a 5 star review of it?

What appeared to be a legitimate discovery opportunity became potentially sullying experience.  If only I could charge that site for the time I spent working out the catch.

Another sharp practise to look out for are online directories.  There are sites out there that position themselves as independent author, or writer, networks.  Their blurb is that their goal to help indie authors and self publishers to gain visibility.  Then they want you pay a fee to be added to THEIR database.  Not a central entity, their website database.  Who are the majority visitors to those sites?  Other indie authors.  Readers, or your target audience, visit the store of their e-reader (where you’ll be listed as an author, along with your bibliography), not those sites.  So save your money and put it in to your writing, or use it to fund some marketing – it’ll be money much wiser spent.

Use online communities such as GoodReads to grow your exposure and interact with real readers.  And I can’t stress this one more:  Use Social Media properly.  facebook, twitter, whatever are for communicating, not a one way pipe for your marketing.  Build up a proper network of readers and other authors who complement your brand.  Stay away from the slush pile.  It smells.

What are your thoughts on the subject?  Tell me your experiences, good or bad of online author services.

Visit me on Facebook: David Nicol – Author
Follow me on twitter: @davidxnicol
What about on Amazon: David Nicol Author Page
And ofcourse, GoodReads.com: David Nicol on GoodReads

Why Do Indie Authors Abuse Twitter?

David NicolIn this post I urge Indie Authors to reclaim Twitter as a social media tool, as a platform to INTERACT with readers and other authors rather than use it as a one way sewer pipe full of “BUY MY BOOK” excrement.

I’m seeing more and more blog posts with headings along the lines of “The Indie Author’s Guide to Twitter”.  Although I think it’s great that people are sharing knowledge and information, the title should really be “How to Abuse Social Media” because that’s what most of these posts amount to.

The idea behind Twitter is to express yourself in 140 characters.  Yes, there are twitter accounts that are set up for no other reason than to spam out links.  They are bad.  But when an indie author does it it suddenly makes it okay?  No it doesn’t.  It just makes that indie author a spammer too.

SOCIAL media

Social Media: the clue is in the name.  Maybe I’m old fashioned, but to be social requires discourse.  I’m not seeing that with many indie authors.  The vast majority of their tweets are dedicated to promoting their wares.  If legitimate people follow you then they’ll do so because they are interested in you and your work to begin with.  You don’t have to spend every waking (and non-waking automated) minute blitzing their feed with how great you and your work is.

If someone wants to see adverts then they can turn off their adblocker or turn on their TV, radio, or read a newspaper or magazine.  What most of these “guides” encourage indie authors to do is to spam their followers with information that they already know.  Oh, you have a book available on Amazon?  I guess I missed that fact the first 500 times you posted it….

Until recently my Twitter feed was swamped by the same six or seven accounts.  They had nothing to say, but they were tweeting it out loud and clear.  So much so that I was missing tweets from people who actually had something to say.  My feed was full of Retweets, Retweets of Retweets, crowing about 5* reviews and quotes…. oh the endless quotes!  I’ve begun to remove those accounts and I now see a whole range of diverse tweets from many interesting people.

Here are the main culprits for the decline in Twitter interaction:

Follow as many people as possible

I’ve seen the advice that you should follow as many people as possible because that’s the ONLY way to gain followers!  Ahhhh no.  That’s the quickest way to end up in the circle-jerk of #TeamFollowback.  Like attracts like, it’s the nature of the universe.  You will gain followers if you have something interesting to say, are helpful and genuine.  Sure, it can be a slow process, but Rome wasn’t built in a day either.  It makes more sense to me to grow from a small number of followers who are interested in what I have to say than thousands who will never read my tweets.  Crazy eh?

Unfollow those pesky non-followers…

I see the tip ‘unfollow anyone who doesn’t follow you back’ often, because apparently a 1:1 ratio of following to followers is a good thing.  No, it’s not.  That shows that you really don’t care about the content of the people you follow as long as they follow you back.  When I see an account that follows 30k+ accounts that says to me that that account has no interest in my tweets.  They just want my follow.  Really, are they going to be reading ANY of the thousands of tweets that hit their feeds every second.  No, no they’re not.

Automate Those Tweets

Why waste your time on tweeting out when you can simply automate it?  You’re out shopping.  Oh no, how will people know that you have a book out, or a promotion on?!  Don’t worry your pretty little head!  ACME generic tweet app will save the day.  What about when you sleep?  No problem!  Auto-tweet the hell out of that too because people in different timezones might have missed your spamming very important self promotion marketing tweets.  Champion!  That way there can be no escape from swamping your followers’ feeds.

Retweet EVERYTHING!

Another popular ‘top tip’ is to retweet the love.  See #RT #authorRT or any number of a dozen hashtags and you must mindlessly hit that Retweet button, regardless of whether you know, like, or have even read the contents.  It’s the law!  Sounds great doesn’t it?  Well no.  Not really.  You’re supposed to be building a brand.  Your brand should be built on trust and integrity.  Your readers should be able to trust that what you write is good, and what you promote is as good as, or better than your own work.  They should have faith that you have the integrity to be actually supporting what you’re sharing rather than clicking (or automating) the Retweet button without a second thought.  If you genuinely think some information is useful, or your followers might enjoy it then Retweet away.

Have a Professional Presence

It’s right that Indie Authors should project a professional image, but by abusing the twitter platform with endless self promotion they’re doing themselves no favours.  Being indie – Independent – is about being in control of your own destiny, and to me, having the integrity that ‘Big Business’ doesn’t.  On twitter I follow those have something to say, not just continuous veiled “Buy my book” tweets.  And those that follow me, I’d like to think that they are interested in what I have to say.  You know, being social and all that.

Don’t try and emulate the ‘Big 6’ accounts.  Your readership is at a grass roots level, they want to interact with you, so don’t let them down by industrialising your social media platforms.

I now check out every account that follows me, and if they (a) are a real person (b) post real tweets and (c) don’t have feed full of RTs and automated crap then I’ll follow back.  Nine times out of ten, if I don’t follow back then after a couple of days they unfollow and I feel vindicated in my decision not to follow that account.  After a little while, some of those accounts will pop up as followers again.  Annoying.

That’s enough from me.  So don’t forget: BUY MY BOOK!

Available now:

The Deluge of Elias by David NicolLong after a cataclysm that destroyed humanity had been forgotten, the descendants of the original survivors live in a protected Dome governed by a set of rules known as ‘The Orders’.

The rigid enforcement of The Orders now threatens the people they were designed to protect. Elias has a solution, except it puts him on a course of action that is at odds with the rules that he has been charged to rigorously uphold. On top of every thing else, the solution came to him in the form of a dream; in a time and place where no one dreams.

Can he save the last vestiges of humanity, or even himself?

The Deluge of Elias from Amazon US

The Deluge of Elias from Amazon UK

Hannibal House by David Nicol‘Sometimes you don’t choose the house, the house chooses you’.

The supernatural story of a house that attracts lost souls. Set in South West Wales, Hannibal House tells the story of Troy who leaves Seattle in search of his roots.

Unsure of what he’s really looking for, Troy comes across Hannibal House. Immediately infatuated with the building he sets out to possess it, or is the house aiming to possess him…

Hannibal House from Amazon US

Hannibal House from Amazon UK

Catch me on twitter: @davidxnicol
Check me out on Amazon: David Nicol Author Page
See what I’m up to on GoodReads.com: David Nicol on GoodReads

That Moment When….

That moment when…. you discover that the title you’ve taken ages to decide on is already in use.  You get the idea for a story, mould it in your mind, plot out the structure, then a title.  It needs a title, even if it’s just a working title.  A flash of inspiration, maybe a path along a number of different title avenues and then you have it: The Title.

Yes!  You start using it.  It sounds good, it flows, it describes your story, it’s already in use.  Wait!  What?  It’s a sad fact that nothing is original now, only the approach to it, and as time goes on the order of words will soon run out.

I’ve just discovered that the series title (rather than the story title) of my next work is already in use.  I can honestly say that I’ve never heard of the series, or games that the title is in use with, and I did wrack my brain when coming up with it.  My next book was titled ‘Dead Reign: Lament for the Living’.  ‘Dead Reign’ being the series title, ‘Lament for the Living’ the first book.  I had ‘Lament for the Living’ first (actually, the working title was ‘Sackcloth Versus the Undead’) and then went in search of the series title.

Zombie film titles are very familiar to me, and I know quite a lot of book titles too (despite not reading most of them) and so I was thinking of something that was different to them.  I wanted to avoid the use of Zombie, or Z, or ‘of the’ in there, so I got to thinking about what the story was about.  Set about three years after the zombie apocalypse when zombies rule the earth.  Rule. Rulers. Kings. Queens.  What do they do?  Reign.  They’re dead.  Dead Reign!  YES!  I’d done it.  Never heard of it, and it’s fairly cool.

Now today I idly Googled ‘Dead Reign’ which is something that I’d never done before as I was so convinced that it was mine, all mine.  And there it was: http://en.wikipedia.org/wiki/Dead_Reign Dead Reign by Palladium Books, but not a book, an RPG.  But not any RPG, a zombie survival RPG add-on for something called Rifter.

I considered my options at this point.  The story is still in development and the last thing I want is to release it and then have copyright or trade mark issues rearing their ugly heads should it do well.  So there really is no option, I’m going to have to drop the ‘Dead Reign’ suffix.  Now for another round of series title brain storming combined with a more judicious use of google.

Interestingly, ‘The Deluge of Elias’ was going to be called ‘Deluge’, or ‘The Deluge’ until I searched those titles on Amazon and so decided to base the title on the name of the main character.  Meanwhile, ‘Hannibal House’ was so called because of the association with a strong, single-minded leader and it’s only one letter away from ‘cannibal’ (although there are no cannibals in the story, that was part of my naming convention).  After I wrote it I discovered a building in London that I’d seen many times while living there is also called Hannibal House.

Oh well.

Available now:

The Deluge of Elias by David NicolLong after a cataclysm that destroyed humanity had been forgotten, the descendants of the original survivors live in a protected Dome governed by a set of rules known as ‘The Orders’.

The rigid enforcement of The Orders now threatens the people they were designed to protect. Elias has a solution, except it puts him on a course of action that is at odds with the rules that he has been charged to rigorously uphold. On top of every thing else, the solution came to him in the form of a dream; in a time and place where no one dreams.

Can he save the last vestiges of humanity, or even himself?

The Deluge of Elias from Amazon US

The Deluge of Elias from Amazon UK

Hannibal House by David Nicol‘Sometimes you don’t choose the house, the house chooses you’.

The supernatural story of a house that attracts lost souls. Set in South West Wales, Hannibal House tells the story of Troy who leaves Seattle in search of his roots.

Unsure of what he’s really looking for, Troy comes across Hannibal House. Immediately infatuated with the building he sets out to possess it, or is the house aiming to possess him…

 

Hannibal House from Amazon US

Hannibal House from Amazon UK

Catch me on twitter: @davidxnicol
Check me out on Amazon: David Nicol Author Page
See what I’m up to on GoodReads.com: David Nicol on GoodReads

I Rarely Buy What I’m Sold

David NicolIn this article I discuss the “marketing” tactics that some indie and self-published authors embark on and why they may be doing more harm than good.

I don’t like being sold to.  When I go in to a shop, I’m there because I know what I want.  If they don’t have it, I’ll find it somewhere else.  What won’t happen is this: a ‘sales assistant’ will saunter up and ask me if they can help, they then listen to what I’m after, ignore the specificity of my request and instead offer me what they have in stock, regardless of comparability.  Here’s the thing: I’m very specific.  I do my research before setting foot in a shop so I’ve already disregarded any alternatives.

Sometimes the sales assistant will offer to order in the item.  That type of sales person is getting rarer and rarer each day, and unless they can sell me the product cheaper than I can order it online myself it’s going to be a No Sale.  I’ve worked in sales myself, or retail as it was called many moons ago.  I didn’t enjoy it, but it was a job and my sales/commission were good because I employed a mysterious and occult talent that many of the other sales people lacked:  I listened to the customer.  I never told a customer what THEY wanted.  They know what they want and building rapport and trust with them wasn’t going to happen if I railroaded them in to buying the item that I made the most commission on, especially if it wasn’t what they were actually looking for.

Building trust enabled me to provide my customers with what they actually wanted, and when I recommended other items to compliment their purchase they would have more confidence in my suggestion.  It also meant that I had more repeat business (although at the time I didn’t realise any of this!).

So let’s fast forward to now, and social media, and online marketing, and self promotion….

I read with interest this article by Kristen Lamb entitled ‘How Can We Brag Without it KILLING Our On-Line Credibility?‘ which discussed the issue of Obnoxious Ollies and Super Secret Susans.  Obnoxious Ollie being the continual self plugger, while Super Secret Susan told no-one what she did and the importance of finding a balance between the two.

The reason for my interest is that recently I got fed up with the Obnoxious Ollies (and Olliettas) whose incessant self promotion was swamping my twitter feed.  I have already started pruning my twitter following list and already I’ve noticed a difference.   I can now see posts from people who have something to say, not just posts saying how wonderful their book is and why I should buy it.

What does this have to do with sales?  I think what’s happening in the independent author world is that people are finding their feet in unknown areas.  The issue I believe stems from all the “how to market” type sites and books out there, and in particular one gem of (mis)information.  According to marketing “law”, it takes eight impressions before someone will take action.  It’s possible that that information is from a very credible source, but like many quotes without the original context it can easily be misconstrued.

For many they seem to think that if someone sees their blurb eight times then they will buy their book, so they keep spouting it out.  Sooner or later their message will scroll through your feed, you’ll see it eight times and be powerless but to click on that link.  Except for one glaring problem.  Is what they’re selling actually what you want?  It could be that their book turns out to be finest thing you’ve ever read, completely life changing and you find a new muse for life.  But what if it’s not.  What if it doesn’t live up to the self produced hype?

I actually find it quite offensive to be constantly sold to, the use of social media becoming a one way hosepipe.  It’s meant to be social, to allow interaction.  But as more authors turn to auto-tweeting platforms they slowly destroy the platform.  Now that I’m weeding out the one-way tweeters I’m spending more time on twitter rather than facebook and enjoying the interaction.

Having a feed full of adverts, retweets and 5* review links was not my idea of fun.

 

Available now:

The Deluge of Elias by David Nicol

Long after a cataclysm that destroyed humanity had been forgotten, the descendants of the original survivors live in a protected Dome governed by a set of rules known as ‘The Orders’.

The rigid enforcement of The Orders now threatens the people they were designed to protect. Elias has a solution, except it puts him on a course of action that is at odds with the rules that he has been charged to rigorously uphold. On top of every thing else, the solution came to him in the form of a dream; in a time and place where no one dreams.

Can he save the last vestiges of humanity, or even himself?

The Deluge of Elias from Amazon US

The Deluge of Elias from Amazon UK

Hannibal House by David Nicol

‘Sometimes you don’t choose the house, the house chooses you’.

The supernatural story of a house that attracts lost souls. Set in South West Wales, Hannibal House tells the story of Troy who leaves Seattle in search of his roots.

Unsure of what he’s really looking for, Troy comes across Hannibal House. Immediately infatuated with the building he sets out to possess it, or is the house aiming to possess him…

Hannibal House from Amazon US

Hannibal House from Amazon UK

 

Catch me on twitter: @davidxnicol
Check me out on Amazon: David Nicol Author Page
See what I’m up to on GoodReads.com: David Nicol on GoodReads

Self-publishing Ponderings

David Nicol I’ve read many posts by authors defending their decision to self publish.  This isn’t one of those posts.  I don’t see the need to defend that decision, rather I think people should consider why they would want to go down the traditional publishing route.

I’m proud to stand up and say “Yes, I’m an independent author, yes, I self publish.”  Why wouldn’t I be?

Historically there’s been a stigma attached to self publishing due to vanity presses.  If you’re not familiar with the term, in a nutshell, vanity publishing allowed people to publish their books, for a fee.  However, the costs involved meant that a book published via a vanity press had a higher unit cost than a traditionally published book.  If an author wanted to make any money, or break even after using a vanity press, they would need to charge more for their tome than a mainstream, established book (plus they also had to source their own outlets for their books).

Chances are, if you’re an aspiring author, when you see the likes of Twilight, The Hunger Games, or *shudder* Fifty Shades of Grey getting the top spots, and featured everywhere you think “that could be me”.  It could be, and why shouldn’t it be?  After all, your work is probably more original, less cliched and better written than those titles that languish in the popular consciousness.

The traditional wisdom is that to be successful you can’t be a good author, you have to be a great author.  You have to live and breathe your passion and then, once you’ve emotionally exhausted yourself you have to lie prostrate at the feet of a publisher/agent and beg for a chance to be heard.

What a load of crap.

Excuse my French, but Fifty Shades of Grey has shown that any old shit can be a best seller.  Reading parts of that book makes me feel like a Nobel Laureate.  And maybe that’s the problem that many new authors have.  They create works of literature rather than pulp fiction.

Publishers want to sell units.  Publishing houses are businesses, they want authors who write profit making commodities, not literature.  Publishing is going the way of the music and film industries where it’s the smaller indie providers who produce the majority of the works of value, the works that touch you, that live with you, that make you think.  At the same time, the large powerhouses try to beat down and pour scorn on the indies while pushing their own watered down insipid rubbish to the masses.

Now this seems like I’m being a big fat Negative Nancy about publishing.  That’s not where I’m going with this.  To be honest, if a publisher offered me a deal that was agreeable then I’d probably take it.  Publishers allow a minority of authors to break in to the mainstream, and if that’s your goal, then good luck to you.

What I’m saying is that if you choose to be an independent author, to self publish, then you shouldn’t spend your time justifying your decision. Instead, spend your time writing, honing your craft.  Build your following, create the best work you can and be a success on your own terms.

In the event that a publisher does come knocking, remember that you’re doing them a favour by allowing them to exploit your work.  It’s not the other way around, and YOU should be the one benefiting from YOUR work.

My indie writer manifesto

I will –

  1. Produce the most professional work I can
  2. Fully develop my characters and plot
  3. Ensure that my work is proofread, spellchecked and edited
  4. Not compromise my vision to please a specific market

Available now:

The Deluge of Elias by David Nicol

Long after a cataclysm that destroyed humanity had been forgotten, the descendants of the original survivors live in a protected Dome governed by a set of rules known as ‘The Orders’.

The rigid enforcement of The Orders now threatens the people they were designed to protect. Elias has a solution, except it puts him on a course of action that is at odds with the rules that he has been charged to rigorously uphold. On top of every thing else, the solution came to him in the form of a dream; in a time and place where no one dreams.

Can he save the last vestiges of humanity, or even himself?

The Deluge of Elias from Amazon US

The Deluge of Elias from Amazon UK

Hannibal House by David Nicol

‘Sometimes you don’t choose the house, the house chooses you’.

The supernatural story of a house that attracts lost souls. Set in South West Wales, Hannibal House tells the story of Troy who leaves Seattle in search of his roots.

Unsure of what he’s really looking for, Troy comes across Hannibal House. Immediately infatuated with the building he sets out to possess it, or is the house aiming to possess him…

Hannibal House from Amazon US

Hannibal House from Amazon UK
 
 
 
 
Catch me on twitter: @davidxnicol
Check me out on Amazon: David Nicol Author Page
See what I’m up to on GoodReads.com: David Nicol on GoodReads

‘Hannibal House’ is now available

Today, ‘Hannibal House’ launched on Amazon. Before we launch in to the blurb that goes with it I’d like to thank those who have been involved in helping tweak the story to the finished version. I received some fantastic feedback from those involved in the beta so thank you to all involved.

Those who provided feedback will be receiving a personalised copy of ‘Hannibal House’ via email.

And now, on to the main event:

Hannibal House by David Nicol

‘Sometimes you don’t choose the house, the house chooses you’.

The supernatural story of a house that attracts lost souls. Set in South West Wales, Hannibal House tells the story of Troy who leaves Seattle in search of his roots.

Unsure of what he’s really looking for, he comes across Hannibal House. Immediately infatuated with the building he sets out to possess it, or is the house aiming to possess him…

Available on Amazon:

(UK) http://www.amazon.co.uk/Hannibal-House-ebook/dp/B008LDK2PG

(US) http://www.amazon.com/Hannibal-House-ebook/dp/B008LDK2PG

 

And the futuristic dystopian short story ‘The Deluge of Elias’ is also available:

The Deluge of Elias by David Nicol

(US) http://www.amazon.com/The-Deluge-of-Elias-ebook/dp/B0082FRKNU

(UK) http://www.amazon.co.uk/The-Deluge-of-Elias-ebook/dp/B0082FRKNU

Deluge of Elias – New Cover

I decided that ‘The Deluge of Elias’ needed a new and totally original cover. This cover needed to have three elements to it: a figure, moisture, and decay/rust. Those elements are prevalent in the story and so the image began forming in my head.

Stock images wouldn’t cut the mustard this time, although they’d make an appearance for the background. I needed a model for the face. Hmm, where can I get a model from at this time of night? I thought, looking in the mirror. OH! Hey there handsome. You’ve got the look of a man with the world on his shoulders.

The problem with me being the model is that I’m usually the one behind the camera. That’s what I trained as, and that’s where I’m comfortable. I also have no illusions about ever being a model (let’s get that straight right now). Enter stage right: the wife.

Imagine the conversation went like this: So honey… after covering me in vaseline you get to throw water in my face while taking photographs.

Sounds like something out of Fifty Shades of Suburbia, and it could have been, but it wasn’t. Anyway, my other half seemed keen on the idea of potentially waterboarding me for some twisted reason so we got to work.

I think that Wifey dearest enjoyed chucking water in my face as the photo shoot took a lot longer than seemed strictly necessary to get the image I was looking for. Some editing time later and here we have the new cover for ‘The Deluge of Elias’:

The Deluge of Elias by David Nicol

Catch me on twitter: @davidxnicol
Check me out on Amazon: David Nicol Author Page
See what I’m up to on GoodReads.com: David Nicol on GoodReads

Sci-Fi short story ‘The Deluge of Elias’ is available now on Kindle:

Available from Amazon.com

Available from Amazon.co.uk

Hannibal House: Release Date 14th July

The beta reading event for ‘Hannibal House’ is under way. Feedback received so far has confirmed that the story holds up and has the desired effect. Other than a handful of minor edits ‘Hannibal House’ only requires formatting to ebook.

The release date for the final commercial version will be July 14th 2012.

Hannibal House is the tale of a young American who heads to Wales after the death of his father to get in touch with his heritage. He doesn’t quite find what he’s looking for until he heads off the beaten track and comes across Hannibal House, a place that attracts lost souls.

Look out for it on the Amazon Kindle Market.

Hannibal House by David Nicol

Sometimes you don’t choose the house,

the house chooses you

Catch me on twitter: @davidxnicol
Check me out on Amazon: David Nicol Author Page
See what I’m up to on GoodReads.com: David Nicol on GoodReads

Sci-Fi short story ‘The Deluge of Elias’ is available now on Kindle:

Available from Amazon.com

Available from Amazon.co.uk